《秋頌》為濟慈所作的壹首詩歌。《秋頌》把秋的各種獨立的經典意像完美融合在了壹起，使得這些原本美好的事物的生命力更加飽滿，寫作手法運用的相當豐富和嫻熟，是描寫秋天的文學作品的極品之作。為了讓大家更好的能夠欣賞這篇詩文，中文為文學翻譯家穆旦（查良錚）先生的中文譯文。濟慈詩才橫溢，與雪萊、拜倫齊名。他生平只有25歲，但其遺下的詩篇壹直譽滿人間，被認為完美地體現了西方浪漫主義詩歌的特色，並被推崇為歐洲浪漫主義運動的傑出代表。他主張“美即是真，真即是美”，擅長描繪自然景色和事物外貌，表現景物的色彩感和立體感，重視寫作技巧，語言追求華美，對後世抒情詩的創作影響極大。
原文及翻譯：
TO AUTUMN 秋頌
SEASON of
mists and mellow fruitfulness,
Close bosom-friend of the maturing
sun;
Conspiring with him how to load and bless
With fruit the vines that
round the thatch-eves run;
To bend with apples the moss’d
cottage-trees,
And fill all fruit with ripeness to the core;
To swell the
gourd, and plump the hazel shells
With a sweet kernel; to set budding
more,
And still more, later flowers for the bees,
Until they think warm
days will never cease,
For Summer has o’er-brimm’d their clammy
cells.
霧氣洋溢、果實圓熟的秋，
妳和成熟的太陽成為友伴；
妳們密謀用累累的珠球，
綴滿茅屋檐下的葡萄藤蔓；
使屋前的老樹背負著蘋果，
讓熟味透進果實的心中，
使葫蘆脹大，鼓起了榛子殼，
好塞進甜核；又為了蜜蜂
壹次壹次開放過遲的花朵，
使它們以為日子將永遠暖和，
因為夏季早填滿它們的粘巢。
Who hasth not seen thee oft amid thy store?
Sometimes whoever seeks abroad
may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by
the winnowing wind;
Or on a half-reap’d furrow sound asleep.
Drowsed with
the fumes of poppies, while thy hook
Spares the next swath and all its twined
flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head
across a brook;
Or by a cyder-press, with patient look,
Thou watchest the
last oozings hours by
hours.
誰不經常看見妳伴著谷倉？
在田野裏也可以把妳找到，
彌有時隨意坐在打麥場上，
讓發絲隨著簸谷的風輕飄；
有時候，為罌粟花香所沈迷，
妳倒臥在收割壹半的田壟，
讓鐮刀歇在下壹畦的花旁；
或者．像拾穗人越過小溪，
妳昂首背著谷袋，投下倒影，
或者就在榨果架下坐幾點鐘，
妳耐心地瞧著徐徐滴下的酒漿。
Where are the songs of Spring? Ay, where are they?
Think not of them, thou
hast thy music too,-
While barred clouds bloom the soft-dying day,
And
touch the stubble-plains with rosy hue;
Then in a wailful choir the small
gnats mourn
Among the river shallows, borne aloft
Or sinking as the light
wind lives or dies;
And full-grown lambs loud bleat from hilly
bourn;
Hedge-crickets sing; and now with treble soft
The red-breast
whistles from a garden-croft;
And gathering swallows twitter in the
skies.
啊．春日的歌哪裏去了？但不要
想這些吧，妳也有妳的音樂——
當波狀的雲把將逝的壹天映照，
以胭紅抹上殘梗散碎的田野，
這時啊，河柳下的壹群小飛蟲
就同奏哀音，它們忽而飛高，
忽而下落，隨著微風的起滅；
籬下的蟋蟀在歌唱，在園中
紅胸的知更鳥就群起呼哨；
而群羊在山圈裏高聲默默咩叫；
叢飛的燕子在天空呢喃不歇。
《我如行雲獨自遊》是華茲華斯抒情的代表作之壹，寫於1804年。此詩是根據詩人兄妹倆壹起外出遊玩時深深地被大自然的嫵媚所吸引這壹經歷寫成的，體現了詩人關於詩歌應描寫"平靜中回憶起來的情感（emotion recollected in tranquility）這壹詩學主張。全詩可以分成兩大部分；寫景和抒情。詩的開篇以第壹人稱敘述，格調顯得低沈憂郁。詩人壹方面竭力捕捉回憶的渺茫信息，另壹方面又覺得獨自漂遊，可以自由自在地欣賞大自然所賦予的美景。他把自己比作壹朵流雲，隨意飄蕩，富有想象的詩句暗示詩人有壹種排遣孤獨、向往自由的心情。在他的回憶中，水仙花繽紛茂密，如繁星點點在微風中輕盈飄舞
原文及翻譯：
I Wandered Lonely as a Cloud 我如行雲獨自遊
I wandered lonely as a cloud 我孤獨地漫遊，像壹朵雲
That floats on high over vales and hills, 在山丘和谷地上飄蕩，
When all at once I saw a crowd, 忽然間我看見壹群
A host, of golden daffodils; 金色的水仙花迎春開放，
Beside the lake, beneath the trees, 在樹蔭下，在湖水邊，
Fluttering and dancing in the breeze.迎著微風起舞翩翩。
Continuous as the stars that shine 連綿不絕，如繁星燦爛，
And twinkle on the milky way,在銀河裏閃閃發光，
They stretched in never-ending line 它們沿著湖灣的邊緣
Along the margin of a bay: 延伸成無窮無盡的壹行；
Ten thousand saw I at a glance,我壹眼看見了壹萬朵，
Tossing their heads in sprightly dance.在歡舞之中起伏顛簸。
The waves beside them danced；but they 粼粼波光也在跳著舞，
Out-did the sparkling waves in glee: 水仙的歡欣卻勝過水波；
A poet could not but be gay,與這樣快活的伴侶為伍，
In such a jocund company: 詩人怎能不滿心歡樂！
I gazed--and gazed--but little thought我久久凝望，卻想象不到
What wealth the show to me had brought: 這奇景賦予我多少財寶，
For oft, when on my couch I lie 每當我躺在床上不眠，
In vacant or in pensive mood, 或心神空茫，或默默沈思，
They flash upon that inward eye 它們常在心靈中閃現，
Which is the bliss of solitude; 那是孤獨之中的福祉；
And then my heart with pleasure fills,於是我的心便漲滿幸福，
And dances with the daffodils.和水仙壹同翩翩起舞。