Thereare two kinds of graphic designer： One is primarilyproduction-oriented, the other primarily idea-oriented. Although the twoare not mutually exclusive, a byproduct of the digital revolu?tion is aclearer distinction be?tween those with technical skill and those withimagination. Ever since prepress production was more or less taken out of thehands of crafts?people and placed in the laps (or laptops) of designers,for designers to grow in the creative realm they have to vigorously pursue allthe options or get pigeonholed as production specialists. The com?puter has forced moreresponsibility onto designers to do work that was previously assigned to middlemen,yet it has also allowed for increased creative potential. The designer need notbe a detached participant in an assembly line but can be the principal in atotal production.
有兩種：壹是平面設計師primarilyproduction為主，其他主要的思想取向。雖然不是相互排斥的兩個，數字革命的?的副產品是清晰的區別?吐溫那些技能和那些withimagination。自從印前生產更多或更少，采取的工藝?人手中放在圈（或筆記本電腦）的設計師，設計師在創意領域的發展必須大力推行所有選項或被作為生產專家。COM?計算機已迫使順利到設計師做的工作，以前分配給中間商，但它也可以增加潛在的創造性。設計師需要notbe裝配線中分離的參與者，但可在總產量的主。