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, , ?, ?,?Abstract:
Poetry since its infancy in China, opened a wound on the tradition, history never since then. Spring and autumn as a symbol of the passage of time, precipitation for the classic image, retained in the history text.
Poems of physical injury when a foundation that is the first physical presence of a pistachio, is the main sense, but also a sense objects, and secondly, the body truly uphold timing, finally, the body can not be labeled as sharing, to some extent Equivalent to the individual. The time of the aesthetic experience - Shangchunbeiqiu, as is the timing of the individual body, the cracks in the self-seeking corroboration of the results.
Poetry injured when the object is based on the temperate weather conditions, making time and within the grasp of the anomalies easily. First of all, simply quiet summer and winter, the lack of change; turbulent Spring and Autumn are ambiguous and can better reflect the flow of time, the cycle characteristics. Second, summer and winter harsh climate of the survival issues, the Spring and Autumn Period more than aesthetic into the state. And the anxiety of the community to provide the environment to continue the development of breeding.
Poetry injured when the logic of context, through the relevant landmark text, sort out the meaning from time to generate chaos, the focus, deepening, shedding the historical logic. "The Book of Songs ? July," the time to become an orderly flow of the rhythm. "Songs of the South", meaning to focus surrounded two quarters. Later, two quarters on the significance of gradual deepening. Zen rational clarification after shedding a lot of additional significance, a relaxation of the air out of poetry. However, the traditional Shangchun and Beiqiu not over, but later transferred to the lyrics, and other forms.
In injury time of the aesthetic content of poetry, selected the three typical image analysis to be aesthetic. Through the Shangchun Beiqiu and the aesthetic essence, that although the same for both sentimental, the former is more shallow, for the performance of the nostalgia for their youth time the latter is more deep-seated, for the performance of the cross-examination of the meaning of life.
Key words:
Time, aesthetic context, injury, trauma, poetry
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